As long as the fighters get the accents right and occasionally grab some Wawa coffee, then this should probably work out gangbusters. America doesn’t have a ton of those, but this remake does have an ace up its sleeve: Bay and team are moving the action to Philadelphia, the suddenly and deservedly in-vogue metropolis, whose regional charms worked like gangbusters last year with Mare of Easttown. Once our hero enters the tenement building, every other scene that follows is a sweaty, bloody fight to death between a revolving door cast of martial arts masters. Hughes specializes in action comedies, but there’s not much humor in The Raid, nor in its equally gory sequel.
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Instead, that job will go to Patrick Hughes, whose credits include both The Hitman’s Bodyguard and its recent sequel, The Hitman’s Wife’s Bodyguard, plus the forthcoming The Man from Toronto, with Kevin Hart and Woody Harrelson. (There was an aborted attempt in the mid-aughts.) That, finally, belatedly, is about to change.Īs per The Hollywood Reporter, no less than Michael Bay is producing a Netflix redo of the movie, which concerns a rookie cop (Iko Uwais) literally fighting for his life in a tenement overrun by a ruthless mob and their neverending army of tireless killers.
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But somehow no studio ever got around to remaking The Raid, the bonkers 2011 action movie from Indonesia, which is essentially one mind-blowing shoot-‘em’-up or fight scene after another. If you eat it, however, to enjoy it for its own sake, you will.Hollywood has long been in the habit of remaking movies from other countries, especially if they do something they tend to do only better. In the end, if you eat this cake to be enlightened by some new insights, you will be disappointed.
Air Raid has dedicated his life to tracking down the worst of them, spending centuries. He believes that respect for the law is a defining characteristic of sentient beings, separating them from non-living drones, and is disgusted by the Decepticons' disregard for the laws of their own home planet. I suppose the recent events highlight the movie's rudimentary treatment of the philosophical issues and conflicts associated with war, especially if one considers the obvious similarities. They are a superstitious, cowardly lot, and Air Raid has zero tolerance for them. I must admit, though, that in the aftermath of the terrorist attacks against the WTC, the reply of William Baldwin's character to a question-that if he ran out of plane fuel, he would `find the sweetest military target and try to kill as many Japanese as possible'- sent chills down my spine because it illustrated how righteous the terrorists must have felt. That may be true, but again, this movie is not meant to be a propaganda call for arms, but just a few hours of good entertainment.
Another possible charge against the movie might be that it tends to glamorize war. But what would a quintessential great Hollywood production be without a love story? Besides, the beauty of Kate Beckinsale adds to the visual aesthetics. A reimagining of Gareth Evans’ The Raid is heading to Netflix. As it stands, the life-changing attack could have been replaced by a natural disaster without losing much from the gist of the story. Patrick Hughes to write & direct 'The Raid' with Michael Bay to produce Submitted. It is true that a story about philosophical and ethical questions raised by war (and treated in Ryan) would have been more fitting in the context. It has been criticized by many as being extraneous. But I believe that one should evaluate a movie, as one would any other work of art, for what it is and not for what it should be.
Definitely, A Saving Private Ryan this movie ain't. My impression is that most of the negative reviews are critical of the movie because they are looking for something that went beyond its intentions. If that was the challenge then he succeeded: it was entertaining, it really did not feel like three hours, and I, at least, did not feel bored at any time during the movie. It almost seems as if director Michael Bay wanted to challenge the audience with all these elements to be entertained by a movie twice the length of a typical feature without lapsing into boredom. In fact, it reminds me of a big cake with a recipe in which the makers tried to include all the tried-and-true ingredients of a commercially successful movie: visual treats, humor, drama, action and a story involving love, passion, friendship, vengeance and a good dose of patriotism. From glossy photography, beautiful wide-angle shots, eye-widening special effects and exceptionally good-looking people playing the lead characters, it offers a lot of eye candy to those who are willing to sit through the long movie. Pearl Harbor Pearl Harbor is Hollywood at its most ambitious.
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